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・ Maurice E. Crumpacker
・ Maurice E. Curts
・ Maurice E. Dockrell
・ Maurice E. Kressly
・ Maurice E. Lagacé
・ Maurice E. McLoughlin
・ Maurice E. Post
・ Maurice E. Rawlings
・ Maurice E. Shearer
・ Maurice Edelman
・ Maurice Edelston
・ Maurice Edmond Müller
・ Maurice Edu
・ Maurice Edwards
・ Maurice Egerton, 4th Baron Egerton
Maurice Eisenberg
・ Maurice Ekpenyong
・ Maurice El Mediouni
・ Maurice Elliott
・ Maurice Elvey
・ Maurice Emile Marie Goetghebuer
・ Maurice Emmanuel
・ Maurice Engelen discography
・ Maurice English
・ Maurice Enright
・ Maurice Ephrussi
・ Maurice Escalona
・ Maurice Escande
・ Maurice Estève
・ Maurice Eustace


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Maurice Eisenberg : ウィキペディア英語版
Maurice Eisenberg
Maurice Eisenberg (February 24, 1900 - December 13, 1972)〔(Data web site of Bibliothèque Nationale de France )〕 was a cellist, both performer and teacher.
== Biography ==
Born in Königsberg in a family of a cantor, he was brought to the US when he was two years old as his parents moved there in 1902.
He started learning violin and then studied cello in the Peabody Institute with such teachers as W. Wirts, Willem Willeke or Leo Schulz.〔Lyse Vézina, ''Le violoncelle: Ses origines, son histoire, ses interprètes'', Varia (Editions), 2006, p. 285 (fr)〕 Soloist, as early as 1916, of the Philadelphia Orchestra under Stokowski’s conducting, he became in 1918 principal cellist of the New York Philharmonic Orchestra, then conducted by Walter Damrosch.〔
In 1921 he met and even played with Pablo Casals who was touring the U.S.. The latter encouraged him further studying in Europe which he did with Julius Klengel, Hugo Becker, Nadia Boulanger and Diran Alexanian; Pablo Casals remained however his most important mentor and they became lifelong friends.〔(Web site of the University of North Carolina at Greensboro (Cello Music Collections) )〕 Eisenberg spent the years between 1926-1939 playing and teaching in Europe :
* Soloist with the main European and American orchestras, he premiered, in 1938 with the Pasdeloup Orchestra, the Concerto ballata composed and conducted by Glazunov as well as the ''Rhapsodie Hébraïque Schelomo'' composed and conducted by Ernest Bloch.〔 His interpretations of the Cello Suites (Bach) were a reference and he was playing in the Trio Menuhin.〔
* He founded and was the artistic director of the « London International Violoncello Center » and taught at the Ecole Normale de Musique de Paris where he succeeded Diran Alexanian.〔
In the US, he held teaching positions at the Academy of Music (Philadelphia), the University of Southern California as well as at the Cambridge Longy School and, for the ten last years of his life, at the International Summer Courses of Cascais (Portugal).〔
At the end of his life, Maurice Eisenberg was also teaching at the Juilliard School of Music, and he died in 1972 while giving a course there.〔
Cellist Louis Rosoor transcribed the Mozart Sonata for Bassoon and Violoncello (K.292/196c) into a cello concerto, of which he inscribed in 1938 a reduction for cello and piano to Maurice Eisenberg.〔The copy sent by Louis Rosoor to Maurice Eisenberg is (held at the University of North Carolina at Greensboro )〕 Maurice Eisenberg’s book, ''Cello Playing of Today'', first published in 1957, has been re-edited several times. Michael Masters, one of his students, organized the publication of the Eisenberg’s annotated version of the Cello Suites (Bach).〔

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